Design for Living 1933 Watch Free in HD

Fredric March

31 August 1897, Racine, Wisconsin, USA

Gary Cooper

7 May 1901, Helena, Montana, USA

Miriam Hopkins

18 October 1902, Savannah, Georgia, USA

Edward Everett Horton

18 March 1886, Brooklyn, New York City, New York, USA

Franklin Pangborn

23 January 1889, Newark, New Jersey, USA

Isabel Jewell

19 July 1907, Shoshoni, Wyoming, USA

Jane Darwell

15 October 1879, Palmyra, Missouri, USA

Wyndham Standing

23 August 1880, London, England, UK

Lionel Belmore

12 May 1867, Wimbledon, London, England, UK

Nora Cecil

26 September 1878, London, England, UK

Emile Chautard

September 7, 1864 in Paris, France

Mathilde Comont

September 9, 1886 in Bordeaux, France

Adrienne D'Ambricourt

June 2, 1878 in Paris, France

Estelle Etterre

July 26, 1899 in San Francisco, California, USA

Charles K. French

January 17, 1860 in Columbus, Ohio, USA

Mary Gordon

16 May 1882, Glasgow, Scotland, UK

Grace Hayle

24 July 1888, Newark, New Jersey, USA

Olaf Hytten

3 March 1888, Glasgow, Scotland, UK

Armand Kaliz

23 October 1887, Paris, France

Colin Kenny

4 December 1888, Dublin, Ireland

Scotty Mattraw

19 October 1880, Evans Mills, New York, USA

Edmund Mortimer

August 21, 1874 in New York City, New York, USA

Rolfe Sedan

20 January 1896, New York City, New York, USA

Vernon Steele

18 September 1882, Santiago, Chile

Florence Wix

May 16, 1883 in Hertfordshire, England, UK

Ernst Lubitsch

29 January 1892, Berlin, Germany

Ben Hecht

28 February 1894, New York City, New York, USA

Noël Coward

16 December 1899, Teddington, Middlesex, England, UK

Thomas B. 'Tom' Chambers

Played by: Fredric March

Gilda

Played by: Miriam Hopkins

Film Freak Central

The "Lubitsch Touch," indeed: edged and between the ribs before you know it's being brandished.

March 12, 2013

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CinePassion

Welcome to bohemia!

August 26, 2009

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Q Network Film Desk

beneath the sublime surface of Lubitsch's best films beats a human heart full of recognizable desires, fears, flaws, and longings, which is precisely what sets his work apart from its sleazier, more mundane counterparts

December 18, 2011

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Chicago Reader

Well, maybe it is a little lumpy for Lubitsch, but I think the film more than holds its own.

February 26, 2003

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Mountain Xpress (Asheville, NC)

For Lubitsch, the film would mark the end of his most creative period at Paramount (1929-1933) -- and a fine final bow it is.

July 27, 2011

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Combustible Celluloid

Even when Lubitsch filmed a play by Noel Coward, he still made it his own. Design for Living doesn't feel like a celebrated play; it feels like a Lubitsch movie.

January 07, 2012

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Ozus' World Movie Reviews

An elegant romantic farce that seems heavy-handed when it's meant to be lighthearted.

October 21, 2011

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Antagony & Ecstasy

It isn't [Lubitsch's] fleetest work, or most sustained, but it has moments of unbridled genius.

March 15, 2012

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Movie Metropolis

The dialogue is sharp without seeming too impeccably perfect to be real human speech.

February 03, 2012

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Cinema em Cena

A química entre o trio principal é ótima, mas o roteiro, livremente adaptado a partir de uma peça de Noel Coward, jamais aproveita o potencial de seus personagens.

February 25, 2003

Scene-Stealers.com

A daring movie that satirizes sexual mores and heaps irony upon irony. If Hollywood tried to remake this movie today, they would probably take the ménage à trois set-up and strip away all the depth.

December 15, 2011

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Time Out

The script galumphs when it should glide.

January 26, 2006

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